Skate Canada, Kamloops, B.C.
5 November 1998 (pictures and text edited 3 December 1998)
Co-written by Amy and Catherine with help from Angela.
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First up was Compulsory and Original Dance practice. I am still amused by the
costume changes on ice between the Compuslory Dance practice outfits and the
Original dance practice outfits, many of which are NOT the competition
outfits. I think I'M a clothes horse. Good thing I am not a
competitive ice dancer. However, I'm showing Drobiazko and Vanagas here
because their waltz is so wonderful. They practiced strong and left the ice
early but stayed a bit to watch
Denkova and Stavisky, whom they share a coach with. The
improvement in this team from last year, especially in her, is quite marked
and I think they are in a position to move up from last year.
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In the second group of dancers I got a second chance to look at Bourne and
Kraatz's waltz. There is more of a well-defined 3/4 beat than I had originally
thought and they do have a nice lilt but the dance still looks messy; slow,
alot of side by side skating, and the transitions can get very clunky.
Catherine, however, finds it quite enjoyable. All three of us agreed that
Wing and Lowe have a wonderful waltz. Completely charming and lots of
great expression. Grushina and Goncharov were skating very fast, enough so
that she was slipping on occasion, but definetely an improvement over last
season. Nowak and Kolasinzki, onthe other hand, seem to have taken a step
backwards, rather scrapey and inelegant in their wlatz run-through, which
doesn't seem much like a waltz at all.
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The pairs practiced their short programs next. Catherine and I have agreed
to disagree about Shen and Zhao. Although they have some rough edges, I
find them spectacular. Catherine thinks they still need to clean up some
elements. The side by side spins are still the weakest element for them but
they have improved it since last season. The
height on the throws and the
twist are amazing and the lift set downs are now smooth, unlike last season.
The short program is the same as last season's and they practiced in those
gorgeous red costumes. Too bad the music is the weakest part of it, it's
rather ponderous and unmusical. The Brits and Americans were doing their
best to vye for last place. Petrova and Tikinov are a bit of stealth team
to me, they don't run much of the program so it's hard to see what they
are doing. They both do have lovely extension.
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In the next group, Sale and Pelletier are still very impressive. The only
problem they were having was the side by side triple toe that she was
two footing at times. This was in stark contrast to Savard-Gagnon and Bradet.
Neither of them was having any luck at all with the triple toes. Catherine
did not see Marie-Claude land a triple at all. Sargeant
and Wirtz looked confident and at ease, once again, though Sale and Pelltier
were commanding nearly all the attention on the practice ice. None of us
even particularly noticed the other two teams. This later turned out to be
rather embarrassing as Dorota Zagorska apparently re-injured herself in this
practice and they were forced to withdraw before the short program warm-up
but none of us even saw it.
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The final practices before opening ceremonies and the start of competition
was the men. Everyone looked tight in the first group, particularly Plushenko.
He was working very hard on quad toes with extremely limited success but his
spins were quite good. Not only does he have the
Beillmann; which had better
stretch and position than last year, but he seems to have accquired a very
fast and well-centered sit spin, which warms my heart alot. Dinev was
clutching his back and grimacing alot. Dan Hollander was trying to land the
solo 3 axel from his short program and not succeeding and moving onto the
lutz combo didn't make things any better. It's a great program but it
won't help him if the jumps aren't there. Have I mentioned how much I enjoy
Micheal Hopfes' short program? I have? Yes, at each competition there
seems to be one suprise and here it was finding that when I liked Micheal
two years ago in Springfield, it wasn't a big mistake. He is still an
interesting skater, though the triple axel looks like it's a distant
goal.
Do I need to explain this picture?
Finally, Jayson's practice group. He did a more complete run-through of the
program and it is indeed a solo triple axel with the lutz-loop combo and
the flip out of footwork. Things did not seem well with Jayson; there
were some music problems, both the speed and the volume. Seeing more of the
program was great, though, I do like it alot and I think it suits him.
I like to see him interact more with the audience, which I think this program
lets him do. I hope this is another positive result of being on Skate the
Nation this spring. Both Josée and Richard Gauthier were working
with Jayson and I also noticed Josée working with Sale and Pelletier.
I don't know if this is a new thing or not but they seem like a good team.
Compulsory Dance

I have never been able to successfully take notes during compulsory dance.
If someone falls, I note that. Here the story was the failure of the
electronic scoreboard. The judges had to remember how they started out
judging at local competitions and hold up the numbers while the poor
announcer ran back and forth behind them with a cordless microphone and
read out the marks while someone else followed behind, noting them down.
Not an auspiscious start to the competition. Of course, as fans pampered
by TV coverage and really nice scoreboards, we couldn't recall what
marks previous skaters had gotten and who was in the lead so I just took
pictures of costumes I liked:

Albena Denkova/Maxim Stavisky |

Margarita Drobiazko/Povilas Vanagas |

Megan Wing/Aaron Lowe |

Charlotte Clements/Gary Shortland |
| and didn't like: |

Olga Sharuentenko/Dmitri Naumkin |

Shae-Lynn Bourne/Victor Kraatz |

Debbie Koegel/Oleg Fediukov |
Pairs Short Program
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Marie-Claude Savard-Gaganon/Luc Bradet - His expression says it all. After
the practice, I would have never believed it but they skated clean! I think
this really says something about why they are former champions. They can
pull out the performance when they need it. The music was the electronic
Bach Totcatta. The side by side spins were quite slow but in unison. The
lift stayed two handed but had a flip out and the throw triple sal was
huge and landed cleanly. The slightly lower difficulty of their elements
kept the marks low but it was still an impressive performance for them.
- Marsha Poliashenko/Andrew Seabrook - The same program as last year,
a medley of Strauss waltz and march. Marsha had been having a terrible time
with the side by side double axel but only slightly two footed it here. She
did take a tremendous crash on the throw triple toe, landing on her side.
- Heather Allebach/Matthew Evers - She stepped out of the double axel,
which is done mirrorwise and hard to follow. Her air position in the lift
was not very good. The throw triple sal was a bit pre-rotated but landed
cleanly. The entrance to the death spiral was interesting, from a pull
through.
- Katerina Berankova/Otta Dlabloa - The throw 3 sal was fine but he
doubled the side by side 3 toes. The lift went up shaky but was saved by
his strength and experience. She has superb extension on the spirals but
his isn't bad either.
- Maria Petrova/Alexsei Tikinov - Catherine was reminded alot of
Shishkova/Naumov and I agree the more I watch them. She especially, with
her tiny frame and great extension and nice tight air positions. The triple
toes were a bit wonky but okay. The lift is very unusual, she goes up in
a regular position but then curls completely around his arm in the air,
almost as if she had been punched in the stomach. It's interesting but
I couldn't tell if it is difficult. The throw triple sal was clean and
all the rest of the elements were good.
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Jamie Sale/David Pelletier - The triple toe on warmup was shaky for
Jaime but she pulled it out with a slight two foot in the performance.
The double twist that had been a little messy the day before was lovely.
They did the most difficult throw of the short programs, a throw triple
loop that was clean and easy. Only some slight hesitations in the pair
spins transitions showed that they were a new team. It was also so great
to see two such wonderful pairs skaters work together. They were beaming
the whole program, obviously so glad to be skating again. Great job!
-
Xue Shen/Hongbo Zhao - As soon as they started skating, it was hard to
believe anyone would beat them. They were so fast, opening with triple
toes in perfect unison, followed by a huge lateral twist. There was one
odd slip near the end of the pair spin where they almost lost their balance.
Throw 3 sal huge. Improved side by side spins.
-
Kristy Sargeant/Kris Wirtz - She just held on to the side by side triple
toe, the landing edge arching sharply. There was a slight slip during the
spiral sequence where she lost her edge and he pulled her back upright but
it wasn't even close to a fall. The throw 3 sal, as usual, was well done.
When they finished, I thought they had done well enough to stay in medal
contention but they ended up in fourth place, in something of a suprise.
Standings after the short program
- Shen/Zhao
- Sale/Pelletier
- Petrova/Tinkinov
- Sargeant/Wirtz
- Savard-Gagnon/Bradet
- Bereankova/Dlabola
- Allenbach/Evers
- Pouliaschenko/Seabroo
Mens Short Program
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Jayson Dénommée - Two new programs meant two new costumes
and this one did not dissapoint me. When I saw the opening of Skate the
Nation I said I would never complain about leather pants and someone must
have heard me. Black leather pants with a completely man-made fabric
shirt that was silver with sworls and dark purple short sleeves. I totally
loved it. How could things go wrong with this outfit but the warmup was
a bit tight.
He started out with a great crowd response
and really selling the program. The triple axel landing was low in the knee
and sharply arched but
clean and then the combination became triple lutz - double loop and it all
went downhill from there. The change camel got tenative and then the
serpentine footwork slowed down alot.
Footwork into the triple flip was slow and he stepped out of it.
- Szabolcs Vidrai - In the first of the false starts, the music did not
start in the right place and there was a delay as it was cued up properly.
Slow into the triple axel and only did a double toe after it. The double
axel and 3 lutz from footwork were clean. The program was well skated but
his quirky choreography doesn't mesh well with his lack of expression and it
makes for a very bizarre effect
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Takeshi Honda - In the second false start, Takeshi took his opening pose and
then was called over to the judges to pick something off the ice. I thought
it was perhaps a stray bit of costume but it was actually one of the bugs
that we had spotted in the stands the day before. After tossing it over the
boards, he went back to Galina to wipe off his hands and shudder a few
times. Although he won over the audience, it probably shook his composure.
The solo triple axel was tilted, with a resulting 2 foot and step out. Then
there was a single flip from footwork that he stepped out of and finally a
triple lutz from footwork. I was completely unclear as to what elements
were really intended to be in the program. The spins seemed okay, though
the combo spin travelled alot and the footwork was not particularly difficult.
- Evgenvy Pliuta - Ottmar Leibert Flamenco Guitar. He's a nice skater but
so charisma free it's hard to notice him. Clean triple axel, triple flip - double toe combination and triple lutz. Probably one of his best skates.
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Evgenvy Plushenko - The opening quad out of footwork became a double then
the triple axel - triple toe combo came to a dead stop on the landing of
the second jump. The rest of the program was clean but not as well skated
as in practice, the footwork got scrapey and the spins slowed down.
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Jeff Langdon - I guess we have to wish more skaters good luck because Jeff
managed to just hold on to the triple axel. The combo was triple flip - double
toe and then a triple sal from footwork. The usual nice spins. Good work.
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Dan Hollander - Fall on the solo triple axel, double the lutz in
the combo and didn't do a second jump and barely landed the triple toe
out of footwork. This number to Stomp is amazing but with no jumps,
he's a goner. What a shame.
- Marcus Lemenin - Doubled an intended solo triple axel and the resulting
content of the program was too low for the rest to matter as much. He put
his hands down on the 2 footed triple lutz but did manage a 3 loop out of
footwork.
-
Michael Hopfes - Wait, did I mention I like this number? Okay, okay. He fell
on the solo triple axel, which didn't have nearly enough up. The combination
was tripel flip - double toe and a triple lutz out of footwork. The footwork
sections were well done and the audience really appreciated the program.
Nice job.
- Elvis Stokjo - Last year's program to drum music. Combination was
triple axel- triple toe with the triple toe underotated and two footed. He
did the triple lutz out of footwork with a very low landing. The straight
line footwork might have had some turns in it and the serpentine footwork
was good but it was overall quite slow. Still, with Plushenko not performing
to his ability, it was enough to win the short.
- Ivan Dinev - He stepped out of the triple axel - triple toe but
considering his practices, that seemed pretty good. Held on to the triple
flip and fine on the double axel. The change camel was good but the combo
spin was a bit slow. Overall, a good job.
The standings after the short program
- Elvis Stokjo
- Evgenvy Plushenko
- Evgenvy Pliuta
- Jeff Langdon
- Szabolcs Vidrai
- Ivan Dinev
- Jayson Dénommée
- Micheal Hopfes
- Takeshi Honda
- Dan Hollander
- Markus Leminen
Yes, there was a ladies practice after all these events. Yes, we stayed and
watched it. No, I took no notes and I could hardly tell you what happened
but here are some nice pictures of Laetitia Hubert.
On to Day 3 Report
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